Visit Beth Barany's blog The Writer's Fun Zone for an interview with me and fellow Northern California author Bella Andre:
Wednesday, September 29, 2010
Tuesday, September 28, 2010
Saturday, October 2, 2010: Release of A TOUCH OF GREEK
My first book in my new Out of Olympus series A TOUCH OF GREEK will be released on Amazon Kindle this Saturday, October 2.
I will post the purchase link here as soon as it is available. Please remember that A TOUCH OF GREEK will be available for $0.99 for an introductory period of 10 days before I will set the regular purchase price. Take advantage of these savings and buy your copy early.
I will post the purchase link here as soon as it is available. Please remember that A TOUCH OF GREEK will be available for $0.99 for an introductory period of 10 days before I will set the regular purchase price. Take advantage of these savings and buy your copy early.
Winner of Carolyn Jewel's My Forbidden Desire & My Wicked Enemy
Congratulations to the winner of signed paperbacks of
Carolyn Jewel's My Forbidden Desire and My Wicked Enemy
Danielle
The winner was selected using random.org (a random number generator) and has been contacted by email.
The winner was selected using random.org (a random number generator) and has been contacted by email.
Thanks to all of you for entering.
Tina
P.S. If the winner does not respond with a mailing address with 48 hours a new winner will be selected.
Sunday, September 26, 2010
Release of A Touch of Greek - coming soon!
After much thought I've decided to release my Greek God romance A Touch of Greek shortly. While it is still on submission to a print publisher, I see no reason to delay its release on Kindle any longer.
I will announce a release date in the next couple of days (a release date between October 1st and 5th is anticipated). My plan is to make A Touch of Greek available for $0.99 for the first ten days before setting the regular price. So get your copy early to take advantage of the savings.
I will be posting the link to Amazon's purchase page for A Touch of Greek here on the blog as soon as it is available.
In the meantime, here's a short summary of the sexy and humorous romance:
Selfish and gorgeous Greek God Triton is cast out of Olympus after seducing Zeus’ mistress and can only gain reentry if he finds a woman who loves him for his kindness and selflessness, not his beauty. When the mortal Sophia – recovering from an eye operation and virtually blind – needs a home healthcare worker, he takes on the role, hoping she will be his ticket home.
While defending Sophia from an unknown adversary, Triton’s protective instinct emerges. At the same time rival Gods do everything to doom him to failure. And even if Triton can win Sophia’s love, will he throw it away to return home, or will he lose his own heart to the only woman who truly sees him?
A Touch of Greek is the first book in the humorous and sexy paranormal romance series Out of Olympus following the romantic adventures of four Gods: Triton, Dionysus, Eros, and Hermes.
You can also read the first chapter of it here: FIRST CHAPTER
I will announce a release date in the next couple of days (a release date between October 1st and 5th is anticipated). My plan is to make A Touch of Greek available for $0.99 for the first ten days before setting the regular price. So get your copy early to take advantage of the savings.
I will be posting the link to Amazon's purchase page for A Touch of Greek here on the blog as soon as it is available.
In the meantime, here's a short summary of the sexy and humorous romance:
While defending Sophia from an unknown adversary, Triton’s protective instinct emerges. At the same time rival Gods do everything to doom him to failure. And even if Triton can win Sophia’s love, will he throw it away to return home, or will he lose his own heart to the only woman who truly sees him?
A Touch of Greek is the first book in the humorous and sexy paranormal romance series Out of Olympus following the romantic adventures of four Gods: Triton, Dionysus, Eros, and Hermes.
You can also read the first chapter of it here: FIRST CHAPTER
Friday, September 24, 2010
Mentioned on J A Konrath's Blog
How cool is that? My name appears on J A Konrath's Blog:
New writers like Zoe Winters, Rex Kusler, Vicki Tyley, Karen McQuestion, John Rector, Aaron Patterson, B.V. Larson, Stacey Cochran, Amanda Hocking, D.B. Henson, Eric Christopherson, Debbi Mack, Karen Cantwell, Jonny Tangerine, Stephen Davison, Charles Shea, Joe Humphrey, Gary Hansen, M.H. Sargent, R.J. Keller, David McAfee, David Derrico, David Dalglish, Brendan Carroll, Alan Hutcheson, Paul Clayton, Imogen Rose, Tonya Plank, David H. Burton, Tina Folsom,...
Life is good ...
Konrath Ebooks Sales Top 100k
Scroll down to the middle where he lists new writers who are having success:New writers like Zoe Winters, Rex Kusler, Vicki Tyley, Karen McQuestion, John Rector, Aaron Patterson, B.V. Larson, Stacey Cochran, Amanda Hocking, D.B. Henson, Eric Christopherson, Debbi Mack, Karen Cantwell, Jonny Tangerine, Stephen Davison, Charles Shea, Joe Humphrey, Gary Hansen, M.H. Sargent, R.J. Keller, David McAfee, David Derrico, David Dalglish, Brendan Carroll, Alan Hutcheson, Paul Clayton, Imogen Rose, Tonya Plank, David H. Burton, Tina Folsom,...
Life is good ...
Thursday, September 23, 2010
Review: Let the Night Begin by Kathryn Smith
I came across Kathryn Smith's novel when I attended the Romance Writers of America's National Conference in Orlando this year - and I'm very glad I did, because now I have another author I can confidently add to my favorite authors list.
Let the Night Begin is the story of vampire Reign who turned his new bride Olivia into a vampire on their wedding night - mind you, without her permission. Hurt, she leaves him. But thirty years later she needs help when her beloved nephew is kidnapped.
Review:
First off, I was very happy to discover that while the plot was interesting, it did not get in the way of the love story. This is truly a paranormal romance, not an urban fantasy masquerading as a romance. The sexual tension between Reign and Olivia sizzles right from the moment they reconnect. Conflict is aplenty: starting with the reason why Olivia asks her estranged husband (for they never got divorced) for help in getting her nephew back. There is plenty of pent-up frustration and anger. The author does an excellent job in showing us how the two of them slowly start trusting each other again, and how their love for each other is as strong as ever.
The sex scenes are hot, and I would recommend keeping a glass of ice water close to douse the flames. Ms. Smith's writing style is very approachable, and while the novel takes place in Victorian England and Scotland, she doesn't go too deeply into superfluous descriptions (thank you!). Vampire lovers will enjoy the various biting scenes - many very sensual and enticing. And the author has given her vampires one interesting traits not as often seen amongst vampires: they can fly.
Rating: 5 out of 5 stars
Dear Readers: Kathryn Smith will be interviewed on my blog in early October.
Let the Night Begin is the story of vampire Reign who turned his new bride Olivia into a vampire on their wedding night - mind you, without her permission. Hurt, she leaves him. But thirty years later she needs help when her beloved nephew is kidnapped.
Review:
First off, I was very happy to discover that while the plot was interesting, it did not get in the way of the love story. This is truly a paranormal romance, not an urban fantasy masquerading as a romance. The sexual tension between Reign and Olivia sizzles right from the moment they reconnect. Conflict is aplenty: starting with the reason why Olivia asks her estranged husband (for they never got divorced) for help in getting her nephew back. There is plenty of pent-up frustration and anger. The author does an excellent job in showing us how the two of them slowly start trusting each other again, and how their love for each other is as strong as ever.
The sex scenes are hot, and I would recommend keeping a glass of ice water close to douse the flames. Ms. Smith's writing style is very approachable, and while the novel takes place in Victorian England and Scotland, she doesn't go too deeply into superfluous descriptions (thank you!). Vampire lovers will enjoy the various biting scenes - many very sensual and enticing. And the author has given her vampires one interesting traits not as often seen amongst vampires: they can fly.
Rating: 5 out of 5 stars
Dear Readers: Kathryn Smith will be interviewed on my blog in early October.
Sunday, September 19, 2010
Giveaway & Interview with Author and two-time RITA nominee Carolyn Jewel
Please join me in welcoming Author Carolyn Jewel to my blog.
Tina: You were nominated for 2 RITA’s (the highest honor in romance fiction) this year – once in Paranormal Romance with My Forbidden Desire and once in Regency Historical Romance with Scandal. Those are two very different genres, or are they? Do you find that there are parallels between those two worlds?
Carolyn: My paranormals are set in the present, so on the face of it, the answer should be no. But there’s a reason some people speculate that paranormals have, to some extent, replaced or at the very least, supplemented the power imbalances so often explored in the historical romance. Paranormals that pair a supernatural hero with a human woman certainly encounter such a mismatch. I’d say there are some parallels, but it’s not complete. Even without supernatural powers, a contemporary heroine has far fewer constraints on her behavior socially and sexually.
In my paranormals, I enjoy not having to worry about historical accuracy or language choices. And yet I enjoy exactly that in my historicals!
Tina: I read your Regency Historical Indiscreet which I enjoyed tremendously. The setting was very different from the usual drawing rooms ofLondon
Carolyn: Indiscreet ended up being set primarily in the Ottoman Empire, what is todayTurkey and Syria
Tina: Have you been to the locations you write about in Indiscreet, or how did you research the areas in order to convey the authenticity that shines through your writing?
Carolyn: I haven’t been toTurkey
There is a scene in the book in which my heroine, Sabine, says that she has seen “the relevant amphorae” speaking of Etruscan and Greek jars that are painted with sexually explicit images. While I have not seen them personally, I have seen Professor Dunn’s photographs of them. Oh, my.
Vacation pictures are not sufficient research however. And boy, I started to panic when I realized my stubborn insistence on keeping the story in England had cost me precious research time. Google Books was invaluable. I downloaded a number of historical accounts of travels in the areas I was using in the story. Google maps was helpful for calculating distances and taking a look at terrain (how steep are the mountains etc.) I also found a couple of excellent reference books and old travelogues that came with surprisingly detailed pictures. Without the Internet I don’t know if I’d have been able to write the book. Though perhaps I would simply have panicked sooner and thus given way to the Turkish setting sooner than I did.
Aside by Tina: Funny you should ask about vacation pictures! I happen to have a couple from Turkey (from 1987!)
Tina: Rumor has it that you’re not much into plotting out your books in advance. However, your books seem so well structured and nothing seems out of place. What do you do to make your writing seem so effortless?
Carolyn: I do not plot in advance. I’ve learned that for me, it’s a waste of time. (This does NOT mean it would be a waste of time for someone else.) Whenever I plot in advance, I end up throwing out any chapters I write based on that and NONE of the things I envision ever happen in the pages I actually write. I don’t even try anymore. For me, plot arises from my characters and the way they interact. I have to get them onto the page and see what they say and do. Then I know how to complicate events for them.
It’s not that I do no advance thinking. But I only proceed when I am solid with what I have so far. I restructure as I go along. I do keep a bare bones document that lists the scenes I’ve written so far, maybe two or three sentences long for each, and incredibly vague scenes that I might write. They’re really placeholders for things like “action here” and “sexy here” or what have you. I don’t think I’ve ever actually written a scene that’s anything like those vague placeholder scenes. By the time I reach that place in the book, everything is different and something else needs to happen. That list of scenes makes it easy for me to check for story arc.
As I write, I’ll often get this little flash of—let’s call it writer’s intuition-- along the lines of , “Carolyn, honey, this scene right here in the middle of chapter 5 is actually the real chapter 1.” I am learning that I need to pay attention to that little voice. It’s almost always right and the sooner I address that issue, the better. Then I fix my MS and reorder my scene list and check for arc again. It’s scary because there’s often another voice that says, “What are you thinking? If you do that, you will have a problems X, Y and Z and you you’ll have to delete chapter 3.” The correct response for me is, “Yes.” Those problems always solve themselves or go away, and usually very quickly if not immediately. At about 50-60,000 words, I no longer need the scene list and rarely, if ever, refer to it after that.
The seemingly scary, chaotic process is exactly what sparks off what needs to happen next. I go and layer in the foreshadowing of new and developments, and that, in turn, deepens the story. For me, this never happens with outlines or any kind of deliberate plotting. It only happens when I am in the pages, immersing myself in the story.
I have tried doing all the things that plot in advance types describe, all the neat charts, long notes, extensive outlines, blocking out scenes on post-its and the like and even with 70 pages of scene outline, as soon as I sit down the write, something else entirely happens on the pages. And that’s true even if I skip all the plot-in-advance work.
Other writers will find my process just as impenetrable as I find the plot-in-advance methods. But, if you’re trying to plot in advance and it’s not resulting in an exciting, completed book, then I’d say it’s time to try something different.
Tina: Your agent is Kristin Nelson. How did you attract her attention, and what is your working relationship like?
Carolyn: Well, the short answer is that I queried her, sent her the requested sample material and when she was interested in my work, spoke with her at length about what I was looking for in an agent and my career. She was interviewing me, too, I’m sure.
Tina: Most writers have critique partners they work with. Do you work together with other authors to make each other’s books better, and if yes, what genres do they write in?
Carolyn: No, I don’t work with critique partners, mostly because I’m always writing under deadline and there’s no point in sending early drafts to anyone. I know those are terrible and besides, by the time I got feedback, it’s highly likely that I would have already completely revised the pages. By the time I have something decent, I’m so close to deadline I would need feedback in 3-4 days.
Tina: What other books are on the horizon for you?
Carolyn: In 2011, the next two books in my paranormal series will be out. My Immortal Assassin will be out in January 2011 and My Dangerous Pleasure will be in bookstores in June 2011. I have two historicals that are scheduled for 2012.
Tina: Many thanks for your time and willingness to share your writing process with me and my readers.
Carolyn Jewel's website: Carolyn Jewel
Carolyn Jewel's blog: Carolyn's Blog
Carolyn Jewel on Facebook: Carolyn Jewel Facebook
Carolyn Jewel's author page on Amazon.com: Amazon Author Page
Good luck!
THE CONTEST IS NOW CLOSED.
Tina: You were nominated for 2 RITA’s (the highest honor in romance fiction) this year – once in Paranormal Romance with My Forbidden Desire and once in Regency Historical Romance with Scandal. Those are two very different genres, or are they? Do you find that there are parallels between those two worlds?
Carolyn: My paranormals are set in the present, so on the face of it, the answer should be no. But there’s a reason some people speculate that paranormals have, to some extent, replaced or at the very least, supplemented the power imbalances so often explored in the historical romance. Paranormals that pair a supernatural hero with a human woman certainly encounter such a mismatch. I’d say there are some parallels, but it’s not complete. Even without supernatural powers, a contemporary heroine has far fewer constraints on her behavior socially and sexually.
In my paranormals, I enjoy not having to worry about historical accuracy or language choices. And yet I enjoy exactly that in my historicals!
Tina: I read your Regency Historical Indiscreet which I enjoyed tremendously. The setting was very different from the usual drawing rooms of
Carolyn: Indiscreet ended up being set primarily in the Ottoman Empire, what is today
Tina: Have you been to the locations you write about in Indiscreet, or how did you research the areas in order to convey the authenticity that shines through your writing?
Carolyn: I haven’t been to
There is a scene in the book in which my heroine, Sabine, says that she has seen “the relevant amphorae” speaking of Etruscan and Greek jars that are painted with sexually explicit images. While I have not seen them personally, I have seen Professor Dunn’s photographs of them. Oh, my.
Vacation pictures are not sufficient research however. And boy, I started to panic when I realized my stubborn insistence on keeping the story in England had cost me precious research time. Google Books was invaluable. I downloaded a number of historical accounts of travels in the areas I was using in the story. Google maps was helpful for calculating distances and taking a look at terrain (how steep are the mountains etc.) I also found a couple of excellent reference books and old travelogues that came with surprisingly detailed pictures. Without the Internet I don’t know if I’d have been able to write the book. Though perhaps I would simply have panicked sooner and thus given way to the Turkish setting sooner than I did.
Aside by Tina: Funny you should ask about vacation pictures! I happen to have a couple from Turkey (from 1987!)
 | |
| Istanbul - Tina Folsom's two Dutch friends in the foreground (we were all working on a cruise ship at the time) |
 |
| Istanbul - Tina Folsom is the brunette with the hideous haircut! Luckily nobody noticed because they were all looking at my blond friend. |
Tina: Rumor has it that you’re not much into plotting out your books in advance. However, your books seem so well structured and nothing seems out of place. What do you do to make your writing seem so effortless?
Carolyn: I do not plot in advance. I’ve learned that for me, it’s a waste of time. (This does NOT mean it would be a waste of time for someone else.) Whenever I plot in advance, I end up throwing out any chapters I write based on that and NONE of the things I envision ever happen in the pages I actually write. I don’t even try anymore. For me, plot arises from my characters and the way they interact. I have to get them onto the page and see what they say and do. Then I know how to complicate events for them.
It’s not that I do no advance thinking. But I only proceed when I am solid with what I have so far. I restructure as I go along. I do keep a bare bones document that lists the scenes I’ve written so far, maybe two or three sentences long for each, and incredibly vague scenes that I might write. They’re really placeholders for things like “action here” and “sexy here” or what have you. I don’t think I’ve ever actually written a scene that’s anything like those vague placeholder scenes. By the time I reach that place in the book, everything is different and something else needs to happen. That list of scenes makes it easy for me to check for story arc.
As I write, I’ll often get this little flash of—let’s call it writer’s intuition-- along the lines of , “Carolyn, honey, this scene right here in the middle of chapter 5 is actually the real chapter 1.” I am learning that I need to pay attention to that little voice. It’s almost always right and the sooner I address that issue, the better. Then I fix my MS and reorder my scene list and check for arc again. It’s scary because there’s often another voice that says, “What are you thinking? If you do that, you will have a problems X, Y and Z and you you’ll have to delete chapter 3.” The correct response for me is, “Yes.” Those problems always solve themselves or go away, and usually very quickly if not immediately. At about 50-60,000 words, I no longer need the scene list and rarely, if ever, refer to it after that.
The seemingly scary, chaotic process is exactly what sparks off what needs to happen next. I go and layer in the foreshadowing of new and developments, and that, in turn, deepens the story. For me, this never happens with outlines or any kind of deliberate plotting. It only happens when I am in the pages, immersing myself in the story.
I have tried doing all the things that plot in advance types describe, all the neat charts, long notes, extensive outlines, blocking out scenes on post-its and the like and even with 70 pages of scene outline, as soon as I sit down the write, something else entirely happens on the pages. And that’s true even if I skip all the plot-in-advance work.
Other writers will find my process just as impenetrable as I find the plot-in-advance methods. But, if you’re trying to plot in advance and it’s not resulting in an exciting, completed book, then I’d say it’s time to try something different.
Tina: Your agent is Kristin Nelson. How did you attract her attention, and what is your working relationship like?
Carolyn: Well, the short answer is that I queried her, sent her the requested sample material and when she was interested in my work, spoke with her at length about what I was looking for in an agent and my career. She was interviewing me, too, I’m sure.
Tina: Most writers have critique partners they work with. Do you work together with other authors to make each other’s books better, and if yes, what genres do they write in?
Carolyn: No, I don’t work with critique partners, mostly because I’m always writing under deadline and there’s no point in sending early drafts to anyone. I know those are terrible and besides, by the time I got feedback, it’s highly likely that I would have already completely revised the pages. By the time I have something decent, I’m so close to deadline I would need feedback in 3-4 days.
Tina: What other books are on the horizon for you?
Carolyn: In 2011, the next two books in my paranormal series will be out. My Immortal Assassin will be out in January 2011 and My Dangerous Pleasure will be in bookstores in June 2011. I have two historicals that are scheduled for 2012.
Tina: Many thanks for your time and willingness to share your writing process with me and my readers.
Carolyn Jewel's website: Carolyn Jewel
Carolyn Jewel's blog: Carolyn's Blog
Carolyn Jewel on Facebook: Carolyn Jewel Facebook
Carolyn Jewel's author page on Amazon.com: Amazon Author Page
GIVEAWAY
Carolyn Jewel is giving away autographed copies of the first two books in her paranormal series to one reader: My Wicked Enemy and My Forbidden Desire.
To enter:
Leave a comment with your email address below.
Contest open to US residents only due to shipping costs.
Contest open to US residents only due to shipping costs.
Get extra entries:
- +1 for being a current or new follower of this blog
- +1 for being a current or new follower of Carolyn's blog
- +1 for being a current or new Facebook friend of Tina
- +1 for being a current or new follower of Tina on Twitter
- +1 for being a current or new follower of Carolyn on Twitter
- +1 for tweeting / blogging or Facebooking about this contest
Good luck!
THE CONTEST IS NOW CLOSED.
Subscribe to:
Posts (Atom)